I am writing this to let
people know what it is like to be a professional player. I started
playing very young. When I was in my 20's, I was playing with
musicians that were professionals. People like Cliff Bruner, Murphy
McDowell, Deacon Anderson, Troy Passmore, Billy Carter, Homer Simon and Johnny
Holland. There were a lot more professional sidemen that I've played
with, but these are the ones I learned from. I was a
very good singer and that's what got me in with these guys.
Then they taught me more about playing
parts. For several years Murphy, Johnny, Bugs Riley, Deacon and
myself worked together as a band. (a very good band). Everyone but
Bugs was at least 10 years older than me. Most of these guys have passed
on now. Although I can still hear Cliff telling me "learn to play
the melody before you try to improvise", and Murphy saying " ok, go pee
and come back we've got a 30 minute break, I'll show you some more
chords," and Deacon saying learn your scales, all of them"(Deacon
wrote the song "Rag Mopp", and
Johnny telling me, "Get on time, I'm going to throw a drum stick
at you every time you get off." So you see they took very
good care of me.
Through the
years I've had a lot of experiences that I would like to share with you.
Like the time I was invited to be on the show with Jim Reeves, Ernest
Tubb, Willie Nelson, and Bennie Barnes. I had this new
record out and I had never been on a stage with spotlights. When
they announced me I went in from the side, the spotlight hit me, I
looked at it and that was a big mistake. I couldn't see anything
but a big red spot. I knew I was walking toward the mic,
but I didn't know how far it was from me. So I slowed down hoping
I could get my vision back. But no it didn't happen. I hit
the mic and it made a big boom. Everyone laughed, they thought I
was drunk. So I said to myself, "you better sing good", and I
did, I
brought the house down. I went out to Ernest's bus and we were talking,
he told me not to worry about that, everyone has done it.
That was the first time I met
Willie Nelson. Got to know him through the years. I already knew
Bennie, he was on RCA records and was from Beaumont. I was
living in Port Arthur.
I had married a Port Arthur
girl when I was 20. She and I have been married for 53 years now.
Her name was Mary Grace Brown until I changed the last name to Bridges.
Grace became a great bass player and a very good song writer. A
friend of ours told us about Jack Rhodes, a writer and promoter. (
Jack wrote "silver threads and golden needles")
So we went to Wood county to see Jack. He wanted to hear me sing
so I sang. He said I had great potential and he would work with me.
Then he found out Grace was a writer and he really liked us then.
Jack wrote: Satisfied mind, woman love, waltz of the angels, woman love, beautiful lies, and a bunch more. Well we
worked on new material for months and then a guy came down from
Nashville and wanted me to sign a Capitol Record deal, a road deal to
travel with Ray Price 273 days a year, and a manage deal with him. I
was really on fire, then Jack said "we'll let you know something
tomorrow Al". I didn't know what was going on. So after Al left
Jack sat me down and talked to me until 4 a.m. telling me why I didn't
want to do that. He said I would lose my family and kids.
Then I would destroy myself. He said after working with me,
he learned to really like me and he didn't won't that to happen.
So he offered Grace and I a job doing studio work and writing. He
said that way I didn't have to travel. I didn't know
what to think at the time, but now I'm glad he talked me out of it.
When Jack passed away I went to
work with Bennie Barnes playing guitar and fronting the band. And
I had a band for years playing local and backing up stars that came
through.
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